A Japanese remake of ‘The Quiet Family’, directed by Takashi
Miike, the man behind Ichi the Killer and Audition. And it’s insane. Surreal,
bizarre, cartoonish - it’s an entirely different film. Oh sure, the premise is
the same – a family running a failing lodge starts to receive guests who all
die under various circumstances, causing the family to bury the bodies so as to
not destroy their lodge’s reputation – but the details are different, as is the
tone. And as they say, the devil is in the details (literally here).
For one thing, it’s a musical. A full-on musical with multiple
song and dance numbers and a few dramatic scenes where actors just sing their
lines when something important happens. Each music number is different in
style. There’re dramatic songs, cheery songs, one involving zombies doing
back-up dancing and even a colourful, chintzy (and ridiculous) ‘Love Boat’
styled one involving wirework.
The rest of the movie is downright strange. Again, it’s a
remake and follows the basic premise and a few details from the original
film, but otherwise this is an entirely different film. Action scenes play out
in Claymation, where things get downright bizarre. It also changes a lot of the
plot details and road bumps. Instead of sexual predators, undercover police men
and assassins there are con artists, escaped serial killers and a sudden,
unexpected volcanic eruption.
The opening Claymation scene sets the tone – a woman in a
restaurant finds a demon in her plate of soup. The tiny imp rips out her
tonsils and goes on an odd, abstract journey where he is killed, reincarnated
then killed again, his corpse ending up in the woods where the Katakuri’s newly
open mountain lodge is. Travelling psychics at one point declare this as the
reason for the lodge’s bad luck, and the following slew of deaths (a vaguely
similar scene also happens in The Quiet Family, minus the actual demon). This entire sequence essentially sums up what sort of movie Katakuris is, and establishes how different it is to the Quiet Family.
Compared to the Quiet Family, the Katakuris are a more
likeable bunch, mostly framed as unfortunate underdogs. They’re a more loving
and caring family group as well. It’s made up of Grandpa, Mom and Dad, the Son
(the only character similar to his Quiet Family counterpart), the Daughter and
the Granddaughter who narrates. Of the group only the Daughter and
Granddaughter are (mostly) ignorant of the mounting bodies. The daughter
herself is completely deluded, spending much of the movie pining over her (con
artist) suitor, while the granddaughter honestly doesn’t really add or do much,
and is strangely absent through most of the carnage.
The Quiet Family was darker and subtle, while Happiness of
the Katakuris is downright bizarre and cartoonish. While the former was grim,
Katakuris is almost jovial in its nonsense. It’s a more colourful movie, mostly
devoid of the horror-like atmosphere of its source material. I suppose the
differences are cultural – a lot of South Korean films employ darker humour,
while Japanese ones use completely weird and bizarre humour (the musical
numbers are a perfect example). Compared to the Quiet Family’s vague ending,
the Katakuri’s get a semi-happy one that ties up everything, almost comically
so. It's also sort of built up to - the Quiet Family lacked a real climax, while the Katakuris goes full crazy with its one.
It’s a substantially different film to the point where I
don’t really know how to compare the two in traditional terms. Sure, they have
the same concept and a few similar details, but they’re two exceptionally
different takes offering incredibly different experiences. As for which one is
better? Depends on what you like I suppose. The Quiet Family is a black comedy
shot as a horror film, using dark humour. Katakuris is a bizarre musical comedy
that employs a massive amount of absurdity. I can enjoy both, but it really depends on where your sense of humour lies.
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